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Stoop

by Steve K Carmody

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1.
Too long 02:38
I was younger than I am now, and younger I’ll always be by your side, and I think different than I did then, but thoughts of you clearly come to me again: you put that light on the moon, it’ll calm you in peace, you put that light on the moon and you fall asleep Lady Madonna’s got her heart full of wanting which she sets like an alarm clock to get up in the morning and it carries her right through on the east side of Providence it’s the wrong side, but who cares? when she’s got so much confidence now I filled my cup with sweet lemonade ‘til barefeet in autumn no longer sufficed, and wondered aloud the time that had passed ‘tween railings on stairways of grey cement, and I strummed out a chord, and remembered a tune that settled in nicely, if only too soon I hope you call on my birthday and sing that old song out of tune ‘cause I’m ‘bout done waitin’ ‘round for that moment I would’ve found your missing part in my heart and get mixed up the cool night breeze upon your knees, it pleases you to sleep, and watch them still, those rainbows curl across your closed eyelids, steady as the sun goes, slowly settin’ down you’ve been away for too long
2.
you know, if ‘heads point east, there’s bound to be a storm, as I secure the windows and you unlatch that door, out on the stoop we’ll watch the clouds go by as daylight gives its last, and not to fear the wind’s increase, what’s gathered here will pass until that time, the rain will fall and lightning’ll split the sky, we’ll move to ‘neath the porch’s roof and curse out those on high, saying, “I don’t want anything to do with you, I just need a little relief from those menacing clouds passing overhead, and a little time to strum in peace”
3.
A thanks 02:43
formidable pastures lie up ahead, and though you may lie in your bed I’d grant you a favor, give you wish, confer upon you the strangest of dreams, and smile a little bit right along the way for happy is the man who stands still when all manner of dreams rush by along past him and his coattails make sails in the wind, and he couldn’t spare you a stray thought anyway as much as he’d conspire worship but I’d reckon enough to say this with ease that no man like that can ever be pleased, no lass who fears sadness ever lives no beggar who cries loudly can forgive, and I’m too tumbled to see it any other way I’d reckon I’m alive, I’m happy, I’m seventeen, I’d reckon it’s best not to overthink things and everything just may or may not work out in the end, you’re right, that we’re in joy: we’re swimming in it, I can feel it ‘tween my toes!
4.
Martha & me 03:39
Martha’s on the back step, moving to the front left, you know? she’s whisking a dozen egg yolks, while my wounded leg soaks, you know? and I’ll tell her I’ll settle more than just dreams, I’ll settle checkbooks on silk screens, you hear? but this kettled milk’s a scalded brew tasting like my life’s through, by god! [chorus]: oh, but Martha’s like, “tell me somethin’ I don’t know, I’ve been tired for years waitin’ for you to come back home I feel lost in this town, besmirched, bereft— I was on the back step when I lost the front left” to her arms I’ll follow the better thoughts of longing, now gone, I gave her now an old thought, that travels had stayed me, still and all, for good, but she hands to me a creased note that a better me once sadly wrote, “Dear one, I’m in joy to hold your hand, in joy I see the moonlight on your skin” [chorus] I’ll leave this town tomorrow, and I’ll write to her and borrow his words to find my love in going for porch-lit nights are pointing me towards a place that’s squarely ‘way from here, away, away until I long again, for smarting barbs are better things, it beats the trapped-up thoughts of what’s been [chorus] just sing yourself an incantation it goes like this, it’s kept me going: “don’t tell me that the moon shines, girl, show me that the moonshine will go on and see you there”
5.
Much easier 02:05
sold on your grasp around that glass placed before you at ease as I take my seat, little silences break into our words— but don’t you call a stranger, what’s settled in your mind I was nervous once, I even lost my watch! sold on your glances, and I’ll throw my chances that even your best thoughts aren’t sellin’ on mine, but the thought of you leavin’ me here tonight wasn’t making the night much easier, with your hands resting softly on your lap now I’m wisened to winks and blushes on cheeks that’d be comin’ up short if I hadn’t made my mind up to now, it’s been assumed since you stepped up to my stoop and brushed my hip real quick and I didn’t even protest, I’d put up all I had to give but it wouldn’t sell for much
6.
don’t look out your window ‘cause I’m not there, see, that wall was too hard to climb and I didn’t see any stairs, but for now I might write you a letter if only to call you to mind for as long as talkin’ still ain’t easy I can’t, and you can’t, and we can’t [chorus]: count on me to do much better than the country songs on the radio that tell you just what they mean with the same old chords and if the words they don’t come easy, we could borrow some of those from the old CDs we listened to obsessive but now we’re shy to hear: embarrassed to be around those old thoughts that meant something before and recall old moments lying by your side, I can’t, and you can’t, and we can’t [chorus] and if we’re all headin’ on towards goodness by words that sound just right then for now we ought to trust that feeling, if it works good, it’s good enough, I ain’t singin’, I ain’t even tapping my foot, I ain’t singing words that aren’t easy, I can’t, and you can’t, and we can’t [chorus]
7.
at night I get so tired I’m tired, aren’t you? that a dream won’t stay up past the night and see the daylight through, no, it has slipped away and you lie jilted in your bed now I’m tired of the reasons that reason can’t provide a place at home that’s warm enough to keep that doubt outside, a door will open up and a draft will cool your heart now sleepin’ never calmed me, that tired just stayed around, tomorrow won’t bring a better hand to scrawl some songs you’d love, so I will rest my legs on the stairs outside my home → he’s comin’ up, Elijah, and he don’t know what to say to me he’s sick, he’s tired, a yellow scourge has got his brain on entropy, and purple globes do follow suit to send him down the road again and pickled loves, a soured sort, will make short work of him now Ana’s here, out on the beach with seafoam dancin’ ‘tween her toes, and wonderin’ how it ever came that all that comes makes twice what goes, out to the ledge to find herself, a smile in eyes did once occur, but fears remaining of old loss will make short work of her and now I’m lost, Elijah, and I don’t know what to make of it the woodman, with his pipe alone, does call me there to go and sit but a famished world with all its pain makes contemplatin’ hard to do, so careful of those prickly dreams they’ll make short work of you

about

Tucker Dalton on drums
Steve Carmody on vocals, acoustic guitar and organ

All songs were recorded and mixed by Tucker Dalton
in Providence, RI.

credits

released December 25, 2012

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all rights reserved

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about

Steve K Carmody Providence, Rhode Island

Music born in Providence, RI.

Featuring:
Nupur Shridhar,
Tucker Dalton,
Sam Adler-Bell,
and Steve Carmody.

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